Bait

British cinema and the specifics of their filming leave a different impression on me, and of course I was happy to pick out Cornell filmmaker Mark Jenkin's "Bait"

The film's main adventure of conveying the story begins with the small details that give the overly artificial scenes different nuances.

I can evaluate the director's work as a raw, rough gemstone that requires time, work on it and slowly acquires form, price and eventually becomes invaluable and valuable. The content of the film also followed these stages logically, with straight black and white steps.

The director managed to show a real tale confirming the tension between the once prosperous village locals and tourists. The emotional state of each character, the logical "leaps" between the scenes, described a "portrait" of cultural clashes in a region where traditional fisheries and their lifestyles are threatened.

The film really managed to surprise, the specifics of its shooting were different, interesting. I would single out a few that caught my attention the most: synchronized speech incomprehensible, Pinteroski theatricality, constant change of music, loud, emphasis on details, conveying the character of the characters by detailing their bodies.

Black and white, 16 mm. The film shot with the camera is a unique work. The action of the film takes place in a modern village about a disgruntled fisherman Martin trying to buy a ship. At the same time he has to deal with family problems and the influx of money from London into the city, Airbnb and the influx of city parties. During the summer season, tensions between locals and newcomers are rising, leading to tragic consequences.